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Publication
Date: Friday, January 07, 2005
Jeanne Aufmuth's Picks
AUFMUTH'S BEST MOVIE
OF 2004: MILLION DOLLAR BABY Hilary Swank and Clint Eastwood
delivered a one-two punch as a determined fighter and her twilight-years
trainer
in this old-school Hollywood classic. What began as a garden-variety
ode to the sport of boxing blossomed into an uncompromising and
darkly intimate portrayal of risk, resolution and dark, dark
places. A brilliant surprise that was the prize-winning knockout
of the year.
Closer It
took me three tries to truly appreciate the twisted
subtleties of this searing roundelay of
bitter emotion and bathetic betrayal. Deliciously
perverse and oozing with immorality, "Closer" walked
and talked a razor-thin line between love and hate.
Dogville Adjectives
flow fast and furious when attempting to describe
this pretentious and audacious
piece of filmmaking. Bold, misogynistic and provocative, "Dogville"'s
claustrophobic and anti-American ode to small-town
living shocked, galvanized and exhilarated.
Hero Turns out Zhang Yimou knows a thing
or two about martial-arts too. The master of subtle
Chinese emotion exploded onto the action-adventure
scene with this breathtaking valentine to love, loyalty
and swordplay and in the process raised the bar of
the genre for good.
Metallica: Some Kind of Monster A burgeoning
hornet's nest of issues tested classic rockers getting
in touch with their inner heavy-metalists in this
smart rock 'n' roll doc that saw Metallica hire a
performance enhancement coach to cope with their skittish
transitional period. Precious psycho-babble and psychological
warts galore made for a rollicking and rawly satisfying
film experience.
The Mother The generation gap narrowed to
a delicate cleft in this evocative and well-observed
portrait of aging. The unpredictably torrid affair
between a dowdy suburban granny and a sexually active
contractor was fraught with fissures of complication
and queasy disquiet that made this indie a provocative
and unforgettable adult drama.
Sideways The dark and skewered tones of this
brilliant exploration of life, longing and second
chances turned the ordinary into the prodigiously
extraordinary. Fluent pace and resonant storyline
glowed with intelligence; Virginia Madsen's expressive
soliloquy on her innate connection to the living and
breathing life of wine was the year's most powerful
movie moment.
Spring, Summer, Fall, Winter...And Spring Sophisticated
serenity was the hallmark of this lush and succinct
Korean mood piece that stayed with me throughout the
year. Nature's truculent twists and turns and man's
evident shortcomings unfolded with languorous pacing
and spare dialogue. A simple yet unforgettable melodrama.
Touching the Void One push to the top of
the Peruvian Andes' Siula Grande with no line of retreat
and no room for error. A perilous climb under volatile
conditions, born of excess bravado that nearly cost
two men their lives. Rife with tension, emotion and
pathos, this nerve-wracking documentary gave stressful
fresh meaning. A powerful life force in the guise
of a cinematic adventure package.
Vera Drake A transcendent performance by
apple-cheeked Imelda Staunton carried this middle-class
Brit melodrama over the finish line with a victorious
air of facile style and content. The juicy stench
of scandal and the ambiguities of mid-20th century
English morality were packaged with contrasting and
heartbreaking shades of innocence and reality.
Jeanne Aufmuth's Pans
I Heart Huckabees Biggest disappointment
of 2004 from a first-class director, A-list scribe
and star-studded cast.
The Dreamers Bernardo Bertolucci presents
pretentious quasi-erotic crap in the guise of art.
Napoleon Dynamite Truckloads of angry mail
objecting to my one-star review did nothing to endear
me to this satiric cult favorite.
Passion of the Christ Mel Gibson splayed
his megalomaniacal faith onscreen by means of this
merciless and calculating carnage-soaked massacre
-- at which point Mel and I parted ways for good.
She Hate Me And I hated her back. Spike Lee's
slimy amalgam of sex, infidelity, politics and homophobia
-- ugh.
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